In The Magic Flute, on the other hand, four or five different social classes are represented, each of them illustrated by the music Mozart writes for the characters. day against night, man against woman). The Magic Flute (Die Zauberflöte in the original German) is, like so much of Mozart’s work, available to audiences on multiple levels. (as Johnny Broadbent), Papageno's Jailor As a tenor, he represents the “anti-Tamino” in the same way that Papageno is the obverse of Sarastro. (as Simon Knuckley), Featured Chorus As an “everyman” character, Papageno is given the kind of simple folk-like melodies that were also much better suited to Schikaneder’s relatively untrained voice. • Two bass/baritones—Sarastro and Papageno. Everyone feels the joys of love, Bill and coo, flirt, snuggle, and kiss, And I am supposed to avoid love, Because a Black is ugly, Because a Black is ugly. We only know about him through the reports of others, and they are not all that flattering. The plot is complicated but the music is beautiful and memorable. Described as a Moor, the character of Monostatos in Wolfgang Amadeus Mozart’s opera, The Magic Flute (1791) represents an amalgam of racist stereotypes surrounding Blackness in the late eighteenth century. We bring you over 1000 years of Black history in the German-speaking lands and show you why it matters right now. (as Samantha Johannesson), second unit director / third assistant director, assistant art director (as Charles Leatherland), special effects engineer / specialised engineer, radio control lighting mechs (uncredited), special effects assistant: snow effects (uncredited), digital paint & rotoscope artist: Double Negative, lead color & lighting technical director: Double Negative, visual effects production assistant (as Emma Larsson), visual effects editorial: Double Negative, digital paint artist: Double Negative / rotoscope artist: Double Negative, previsualization artist/animator: Double Negative, visual effects production manager: CubeEffects, technical support: Double Negative (uncredited), camera operator: "b" camera, steadicam operator, additional camera operator / focus puller, script supervisor: second unit (as Kerensa Burton), accounting assistant / deliverables coordinator, production assistant: pre-production rehearsals and recordings. Accessibility Statement Terms Privacy |StageAgent © 2020. Company Credits Mozart's famous German singspiel, or opera, "The Magic Flute," tells a charming, fantastic story that includes a bird seller, a captured princess, a prince who wants to rescue her, an evil Queen of the Night,a priest and, of course, a magic flute. • Two tenors—Tamino and Monostatos All he wants to be happy is a good meal and a good woman, and the simplicity of his needs is reflected in the folkish quality of his music. The work was premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. He only gets one short aria—more of an arietta—befitting his secondary importance and influence on the story. Moon, hide yourself from this! Which of the following is NOT a character in The Magic Flute? The Magic Flute (Swedish: Trollflöjten) is Ingmar Bergman's 1975 film version of Mozart's opera Die Zauberflöte. I am also fond of girls, I am also fond of girls, Always to live without a woman Would truly be the blaze of hell, Would truly be the blaze of hell. Sarastro’s arias belong to the same sound world as Mozart’s motet “Ave verum corpus,” composed while he was working on The Magic Flute, and one of the most personal and guileless expressions of real faith in Mozart’s entire output. Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Tumblr (Opens in new window), Click to email this to a friend (Opens in new window), Some critics have even asked why opera houses perform this opera at all, Creative Commons Attribution-ShareAlike 4.0 International License, Oh, then close your eyes! Which of the following is NOT a character in The Magic Flute? Sarastro’s first aria, “O Isis und Osiris” is accompanied by a chorus of priests singing hymn-like refrains, lending further dignity to the scene. Mozart used varied musical styles to depict his characters. But in the context of The Magic Flute and in comparison with the Queen of the Night, Sarastro’s music is intended to strike the audience as profound in every sense. A White took possession of me, Gain full access to show guides, character breakdowns, auditions, monologues and more! Be among the first to hear about upcoming ticket giveaways, and the latest USUO news. Permissions beyond the scope of this license may be available at The other characters include Mozart himself, and Mme. It may be because she believes, in her ignorance, that her cause is right, or that she is not so much evil as merely unenlightened. You won't be able to stop humming Papageno's theme song! The latter film includes a puppet-theatre sequence of part of act 1 of the opera. Official Sites Like Sarastro’s music, the music of the Three Genii is hymn-like, homorhythmic, harmonically stable, and serene. Should it vex you too much, | Since the postwar period, opera companies have had difficulties figuring out how to portray this character. For every “enlightened” character, there is a corresponding “unenlightened” character of the same voice type: • Two sopranos—Pamina and the Queen of the Night So, therefore I want, because I am alive, Amy Carson. False (as Chris Stone), Ballroom Dancer Oh, then close your eyes! Being Black, Monostatos, the overseer of Sarastro’s temple, is … Written during the final year of Mozart's life, The Magic Flute presents a magical world of surreal characters and mysterious rites, and the composer filled it with Masonic symbols and allegory. True. At the most basic, it is a fantastical evening full of sorcerers, heroes, magical instruments, wild animals, and special effects. The character, Monostatos, in Mozart’s opera, The Magic Flute (1791) by Kira Thurman is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Pamino. The Three Genii are also counterparts to the Three Ladies—singing in the same range, and employing a trinity of voices to lend greater spiritual weight to their utterances. The moralizing was for show, part of the deception they foist onto Tamino. The “Schein” of Sarastro then, or his character as it’s painted superficially by others, sets up a clear distinction with his “Sein” when we finally meet him and hear his music. A White took possession of me, Have I, then, been given no heart? Though one possible answer is that perhaps there simply wasn’t a good mezzo in Schikaneder’s troupe. Their subsequent musical styles shift rapidly over the course of the opening ensemble, indicating their capriciousness and lack of unity. In Ingmar Bergman’s film of The Magic Flute, he covers the Queen of the Night with a curtain when the genii appear, to completely separate them from her. All rights Reserved. Consider this aria below that Monostatos sings (“Alles fühlt der Liebe Freuden”), which was intended to be a comedic number. The Magic Flute was written for ordinary people, not for nobility. This category features articles about characters that appear in the animated version of The Smurfs And The Magic Flute.They will usually be marked with this icon: Cast (in credits order) complete, awaiting verification. The names of the actors who played each character are listed below as well, so use this The Magic Flute character list to find out who portrayed your favorite role. • Two treble-register trios—the Three Genii and the Three Ladies Ben Davis. Being Black, Monostatos, the overseer of Sarastro’s temple, is not to be trusted and has dark and evil tendencies. With its heroic love story and loveable characters, Die Zauberflöte is one of the best loved and most performed operas each year, and is a great opera for the whole family to enjoy. At a musical level, this is represented by extremes of pitch – the role of Sarastro descends to an unusually low F2 in a few places, whilst the Queen of the Night’s famous aria reaches the dizzying heights of F6, a whole four octaves above! The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue. Die Zauberflöte, Hamburg Staatsoper, 1968. His name alone – Greek for “standing alone” – implies that he is an outsider or an outcast. Now, this was very fashionable and modern in those days – exotism was quite the thing – but, equally, as anybody with a bit of insight into … Join StageAgent today and unlock amazing theatre resources and opportunities. The aria “Der Hölle Rache”, also referred to as the Queen of the Night’s aria, is one of the most popular operatic arias of all time.